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Auteur Theory: Wes Anderson by MaeMae Millichamp …

Rushmore Academy was filmed at St John's School, the school which Anderson attended.
Max Fischer, an example of one of Anderson's narcissists
Dysfunctional Tenenbaum family
Suzy's mother and Sam's foster father from
Moonrise Kingdom
; dysfunctional families
Robert Yeoman is responsible for the cinematography of
Bottle Rocket
The Royal Tenenbaums
The Life Aquatic with Steve Zissou
The Darjeeling Limited
Moonrise Kingdom
The Grand Budapest Hotel
Wes Anderson and Robert Yeoman
Anderson and Noah Baumbach
Owen Wilson and Anderson
Jason Schwartzman, Anderson and Roman Coppola
Although Anderson may adhere to the description of an Auteur, his films were featured in multiplex cinema chains such as Cineworld, meaning that The Film Studies 'Establishment' would label him as a mainstream filmmaker and reject the label of Auteur for Wes Anderson.
Anderson often collaborates with the same writers for many of his films.

He made his name after producing a short film (
Bottle Rocket
, 1994) and screening it at Sundance Film Festival.
Feature Films
An Introduction
Technique and Style
Argument for Auteur Status
Similar narrative style
Dysfunctional families
White middle/upper class issues
Pretentious or narcissistic protagonists
Invented realities
Male character seeking approval of a parent figure
There are links between Anderson's life and his films, he creates narratives after experiences and bases aspects of characters on himself
Interior Meaning
The Argument against Auteur Status
Anderson often collaborates with writers and cinematographers for his film.

Transcript of Auteur Theory: Wes Anderson
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Wes Anderson, Film Auteur Essay - Essays, Research …

The Royal Tenenbaums
Photo provided by Flickr

I just want to make films that are personal
but interesting to an audience.”
- Quirky themes involving middle or upper class issues.
Sam and Susie in love
Susie found a book: 'Coping With The Very Troubled Child'
Dysfuntional family: Fantastic Mr Fox
Sam Shakusky
Steve Zissou
Wes Anderon's style is easily recogniseable, it is quirky, unique and distinctive
Symetrically Framed Shots/Placing subjects in the Center of the Frame
High Angle Shot
Close Up
Slow Motion Scene
Moonrise Kingdom (2012)
The Life Aquatic with Steve Zissou (2007)
Moonrise Kingdom (2012)
Fantastic Mr Fox (2009)
Fantastic Mr Fox (2009)
Video: Wes Anderson from Above
The Life Aquatic with Steve Zissou (2007)
Moonrise Kingdom (2012)
Fantastic Mr Fox (2009)
The Life Aquatic with Steve Zissou (2007)
- All of Wes Anderson's films contain a slow motion shot with the exception of Fantastic Mr Fox.
Capture from Slow Motion Shot - Moonrise Kingdom (2012)
Capture from Slow Motion Shot - The Life Aquatic with Steve Zissou (2007)
“I feel I get criticized for style over substance and for details that get in the way of my characters.

In the same way a Spike Lee Joint or a Martin Scorsese Picture have their own distinctions, so also is a Wes Anderson film (more properly known as an American Empirical Picture) easy to spot.

Critical analysis of authorship: Wes Anderson’s …

Wes Anderson - Auteur Presentation

- Anderson's films are influenced by personal experiences.

- The story line often revolves around dysfunctional families.

- Precocious or
pretentious protagnists.
Subject Matter
- Actors

- Cinamatogrophers

- Writers

- Music Composers
- Charlie Brown refrences

- The New Hollywood Era

- Touchstone Pictures and Fox Light Pictures
Auteur Theory
and Wes Anderson

Visual and Aesthetic Style
Mise - en - scene
- Auteur: French for author, used to describe a directors film that reflects their own creative vision and style.
- Mondern day autuer: Wes Anderson.
- Auteur thoery was introduced in the 1950's.
“A true film auteur is someone who can bring something genuinely personal to his subject instead of producing a tasteful; accurate but lifeless rendering of the original material.” Francis Trauffat, 1950.
- Anderson quoted, “I want to try not to repeat myself.

Critical analysis of authorship: Wes Anderson’s ..
Photo provided by Flickr

This essay examines the discourse of fidelity in the production and marketing of Wes Anderson's film, . It argues that while Anderson invokes fidelity to Roald Dahl in multiple ways, he appears much more interested in playing around. Using the voice of Dahl's widow to confirm fidelity, Anderson radically revises the character and voice of Mrs. Fox from the supportive character depicted in Dahl's short story. The film's obsessive language of fidelity thus masks Anderson's sly subversion of Dahl's representation of gender, in particular his depiction of adult women.

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The Perfect Symmetry of Wes Anderson's Movies | …

The Mise En Scène of Wes Anderson, a Video Essay Examining ..

Abstract: This essay analyzes the fictional authors who populate Wes Anderson's films and his use of DVD technology to promote his own highly self-aware authorial image. Anderson's authorial logic is organized around the concepts of youth and dependence, positioning itself against the still quite powerful myth of the independent and solitary genius.

A Beginner's Guide to Wes Anderson Movies | Screen Rant

Even Saturday Night Live did a spoof on this notion, re-envisioning a modern horror film as a Wes Anderson comedy for one of their digital shorts.

Is Wes Anderson an Auteur? Video Essay by Hightop …

But every decision I make is how I bring those characters forward.”
Color Palette
Font - Titles and Credits
Costumes, Props
and Setting
- Wes Anderson's color palette contains shades of yellow, red, orange and blue.
Fantastic Mr Fox (2009)
Moonrise Kingdom (2013)
The Life Aquatic with Steve Zissou (2007)
- 60's and vintage inspired with quirky aspects.
Costumes - Fantastic Mr Fox (2009)
Props - Moonrise Kingdom (2012)
Setting - The Life Aquatic with Steve Zissou (2007), The Belafonte Ship
- The font used for the titles and credits is often bold and yellow.
Bill Murray
Owen Wilson
Jason Schrwatzman
Robert Yeoman
Tristen Oliver
Noah Baumbach
Roman Coppola
Mark Mothersbaugh
Alexandre Desplat
Snoopy - Moonrise Kingdom (2012)
Fox Searchlight Pictures
Touchstone Pictures
Music: The Life Aquatic with Steve Zissou Ping Island

Wes Anderson, Contemporary Auteur | Peanuts and …

El Angel Exterminador) laid the groundwork for the dolly and tracking shots in Anderson’s Rushmore, and early sections of The Life Aquatic with Steve Zissou.

Wes Anderson, Contemporary Auteur.

Abstract: This essay analyzes the fictional authors who populate Wes Anderson's films and his use of DVD technology to promote his own highly self-aware authorial image. Anderson's authorial logic is organized around the concepts of youth and dependence, positioning itself against the still quite powerful myth of the independent and solitary genius.

Essay about Paul Thomas Anderson An Auteur of Film …

The frenetic energy and overall zeal found in François Truffaut’s Jules et Jim serves also as the celluloid backbone of most of Anderson’s works, specifically Bottle Rocket, The Royal Tenenbaums, and Fantastic Mr.

What’s the Big Deal About Wes Anderson’s The Grand Budapest Hotel

The melancholic swoons of the silver screen’s longing romantics permeate , Hotel Chevalier/The Darjeeling Limited and in the romance subplot of Bottle Rocket. These films share the same sort of beautiful yet honest moments found in Jean-Luc Godard’s Pierrot Le Fou.A standout influence is definitely Louis Malle’s Le Feu Follet. In The Royal Tenenbaums, Richie Tenenbaum (Luke Wilson) emotes the quiet pathos of Follet’s depressive protagonist and is similarly positioned inside the framing of certain shots.

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