The essay and lecture notes (Box 5) include drafts of Cole's "Essay on American Scenery" published in the January 1836 issue of , "Sicilian Antiquities & Scenery" published as "Sicilian Scenery and Antiquities" in in February and March 1844, "Letter to the Publick on the Subject of Architecture," "Verdura, or a Tale of After Time," which contains his thoughts on what life would be like at the close of the 20th century, and two drafts of "The Death of Chocorua," a Native American legend he painted and entitled "Chocorua's Curse."
There are several letters to and from Robert Gilmor, a Baltimore merchant and one of Cole's most influential patrons (Box 3, Folder 8), and several letters to Luman Reed and his heirs regarding the five paintings entitled "The Course of Empire."
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American painters of the early 19th century shared the same philosophy. Visualizing the tracts of Emerson, the artists of the Hudson River School believed that art could be a medium of spiritual and moral change. American artists like Thomas Cole and Frederick Church loosened their ties with European traditions and frequently sketched from nature. Although much younger than the first members of the Hudson River School, Bierstadt is often grouped under this stylistic rubric.
Did our limits permit I would endeavor more fully to show how necessary to the complete appreciation of the Fine Arts is the study of scenery, and how conducive to our happiness and well-being is that study and those arts; but I must now proceed to the proposed subject of this essay--American Scenery!
Thomas Cole died February 11, 1848 from pleurisy. Two months later, Frederic Edwin Church had finished his tribute to Cole, entitled To the Memory of Cole. It was on exhibit from May - September of 1848 in a memorial exhibit to Cole. In this memorial, Church paints a sunset over Catskill Mountain, the mountain that Cole so loved and painted. A cross centers of the composition, which is entangled with spring flowers. A river flows; a felled stump symbolizes Cole’s life cut short, and three trees on the right mark the trinity. A pyramid of clouds rises above the horizon, and is split into three separate layers. This pyramid points up towards heaven, assuring the audience and Church himself that Cole has gone to a better place. Church quotes Cole by depicting white, celebratory clouds at the top of the pyramid, while the darker clouds at the bottom reinforce Church’s feelings of grief. An interesting aspect of this image is the overlapping of seasons and time. The sunset symbolizes Cole’s departure from this earth while, simultaneously, a morning light is cast upon Cole’s grave marker. The season seems to be the end of autumn, turning to winter, but strangely the flowers bloom upon Cole’s grave. This interchanging of seasons and time of day can be read as a mixture of feelings that Church felt at this time, sad for the death of his friend and mentor, but proud of his achievements and sure that they will carry his name on forever.
Cole, The Collected Spirituality in Art from the Hudson River School of Artists -…Beginning with the works of Thomas Cole and Asher Durand and ultimately evolving into the Luminist His Essay on American Scenery was published in American Scenery: Different Views in Hudson River School…7 Aug 2005 American Scenery: Different Views in Hudson River School Painting The Hudson River School included Thomas Cole, Jasper Francis Cropsey, The catalog's essay traces the tradition of pairs and series of paintings
A Photographer Visits the “[American scenery] has its own peculiar charm — a something not found elsewhere,” the 19th-century painter Thomas Cole once wrote.
Cole's 1836 “Essay on American Scenery” famously takes a similar view: Week 1: Thomas Cole and the sublime | rarlington1 Sep 2014 I realize: the last time I taught 19th Century American Literature was the ––Thomas Cole, “Essay on American Scenery,” American Monthly, Hudson River School - New World Encyclopedia25 Mar 2014 Thomas Cole's View from Mount Holyoke, Northampton, In his "Essay on American Scenery" for the American Monthly Magazine, Thomas A Photographer Visits the Contemporary Landscape of…24 Jun 2015 Photo Essays.
 Both of Thomas Cole's allegorical landscape series -- The Voyage of Life and The Course of Sanctified Landscape: Writers, Artists, and the Hudson River…This book takes its title from a passage in the landscape painter Thomas Cole's “Essay on American Scenery.” Writing in 1836, when many Americans were Robert S.