Her work appeared in Best New American Voices 2003 (Harvest Books) and Best American Essays Essay On Love Is Life 2003 (Houghton Mifflin). She lives in Portland, Oregon with
22 Feb 2012 My Definition of Love: My love essay Love isn't the best topic Essay On Love Is Life for me to talk about, but I will try. teens the Essay On Love Is Life opportunity to share their personal stories and essays in an online life journal via their free Stage of Life account.
Let’s set aside narrative, though, since it is not the only mode for a personal essay. In fact, most essays are more topical or reflective, which means they don’t move through time in a linear fashion as short stories do.
One interesting side note: trauma, which is a common source for personal essays, can easily cause an author to get stuck on the sort of plateau Kittredge described. Jo Ann Beard, while clearly wrestling with the immobilizing impact of her own trauma, found a way to keep the reader moving both forward and upward, until the rising tension reached its inevitable climax: the graduate student firing his gun. I have seen less-experienced writers who, by contrast, seem almost to jog in place emotionally, clutching at a kind of post-traumatic scar tissue.
Narrative is the natural starting place since narrative is a natural structure for telling others about personal events. We instinctively turn to chronology as a way to recreate the past, putting our lives into a neat moment-by-moment order. Beware, though. The march of time can be methodical—first this, then this, then this. If unrelieved, it becomes the ticking clock in the jail or, worse, the flat line of death. Savvy essayists, as a result, twist their chronology, beginning at the end or breaking to a moment in the past, even weaving together several timelines. More crucial, though, is their use of tension, which changes the flat line of chronology into a rising line—a plot. Such tension forces the reader into a climb, muscles contracting. It raises anticipation. Will we reach the top? And what will we see from there?
My own theory is that most personal essayists, because of a natural ability to extrapolate, do not struggle to find subjects to write about. Writer’s block is not their problem since their minds overflow with remembered experiences and related ideas. While a fiction writer may need to invent from scratch, adding and adding, the essayist usually needs to do the opposite, deleting and deleting. As a result, nonfiction creativity is best demonstrated by what has been left out. The essay is a figure locked in a too-large-lump of personal experience, and the good essayist chisels away all unnecessary material.
Be personal: Make your essay about you; speak in the first person. Avoid speaking in the editorial “we.” Tell a story from your own life; this is not an opinion piece about social ideals. Write in words and phrases that are comfortable for you to speak. We recommend you read your essay aloud to yourself several times, and each time edit it and simplify it until you find the words, tone, and story that truly echo your belief and the way you speak.
Although we are no longer accepting new essays on our website, we thought we would share these essay writing suggestions in case you wished to write an essay for your own benefit. Writing your own statement of personal belief can be a powerful tool for self-reflection. It can also be a wonderful thing to share with family, friends, and colleagues. To guide you through this process, we offer these suggestions:
This I Believe is an international organization engaging people in writing and sharing essays describing the core values that guide their daily lives. Over 125,000 of these essays, written by people from all walks of life, have been archived here on our website, heard on public radio, chronicled through our books, and featured in weekly podcasts. The project is based on the popular 1950s radio series of the same name hosted by Edward R. Murrow.
No more lost-tampon essays, in other words, in the age of Donald Trump. And yet I find myself missing aspects of the personal-essay Internet that the flashiest examples tended to obscure. I still think of the form as a valuable on-ramp, an immediate and vivid indication of a writer’s instincts—one that is accessible to first-time writers and young people who haven’t developed experience or connections. The Internet made the personal essay worse, as it does for most things. But I am moved by the negotiation of vulnerability. I never got tired of coming across a writerly style that seemed to exist for no good reason. I loved watching people try to figure out if they had something to say.
The remarkable thing about personal essays, which openly mimic this exploratory process, is that they can be so quirky in their “shape.” No diagram matches the exact form that evolves, and that is because the best essayists resist predictable approaches. They refuse to limit themselves to generic forms, which, like mannequins, can be tricked out in personal clothing. Nevertheless, recognizing a few basic underlying structures may help an essay writer invent a more personal, more unique form. Here, then, are several main options.
In short, despite students’ ever-intensifying pressures, schedules, and responsibilities, I hope that by engaging with the genre of the personal essay, students can write for themselves with this sense of curiosity—first, for themselves.
The college personal statement is a strange beast. To my knowledge, college applicants are the only personal essayists who have to write about themselves because someone else expects them to and because big stakes are riding on it. From the birth of the personal essay—typically traced to Michel de Montaigne in the 16th century—the tradition of the genre is self-exploration and discovery, the personal somehow tied to universally human concerns, driven by the curiosity to know more about both. Yet this American rite of passage has given rise to a peculiar kind of de facto national literature.