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Matisse painted this unusual portrait of his wife in 1905.

The green line in the centre of Madam Matisse’s face has been well placed as a shadow line, and also in order to prevent the face from sinking into the strong flat colours in the background....

Married Amelie Parayre. Honeymooned in London, where he discoveredTurner. Stayed in Corsica, then in Fenouillet, Amelie's home nearToulouse. Dazzled by the southern light, Matisse lightened his palette: In June, first saw the workof Signac and the neo-Impressionists at the Salon des Independants. Deathof Moreau, who was succeeded at the Ecole des beaux-arts by FernandCormon.

Matisse has used color here to illustrate a sense of the emotions he feels for his wife.

Soon Matisse was experimenting.

Matisse went to middle school in Saint-Quentin, then to LyceeHenri-Martin.

Matisse showed paper cutouts at Berggruen & Co. in Paris, with acatalogue by Teriade. On November 6, the third design for the nurseryschool, incorporating Matisse's modifications, was presented in Lille toMinister of Education Andre Marie.

When Matisse had completed the panels in his Paris studio they were found to be the wrong size, so he painted completely new versions which were successfully installed.

In 1905 Matisse created fauvism, or the wild beasts.

Series of Nus bleus (Blue Nudes). In October, at his Hotel Reginastudio, Matisse gave Gaillard instructions concerning the architecturaldesign of the nursery school. On November 8, the Musee Henri-Matisse wasinaugurated in the town hall of Le Cateau. was exhibited at the Salon de mai; Jean Cassou andGeorges Salles purchased it for the French nation.

Henri Matisse Woman With the Hat, 1905 Oil on Canvas 31’ x 23.5’ San Francisco Museum of Modern Art

Despite the shift in technique, the works remain categorically Matisse. Previous works are imbued with a new, vividly bright energy (including a sprightly lithograph of his iconic La Danse), while others take the artist’s loose, enervated figurations to their natural conclusion: the line itself. Swirling arcs and jaggedly executed forms play off against each other, underscoring years of studied discipline of the brush transferred over to the artist’s new creative tool: the shears.

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Ressam : Henri Matisse (1869-1954)


Henri Matisse, The Snail (1953), via Art Observed

Picture of artists' wife, became one of Matisse’s most famous paintings and a masterpiece within 20th century.

Public view:
the public viewed it as a battle between modern art, and how it leaned/ represented fauvism.

Henri Matisse, The Cut-Outs (Installation View), via Art Observed

But the piece is of his wife, Amélie Noellie Matisse-Parayre.


Size:
40.5 x 32.5 cm ( Dimensions 1'4 x 1'1 )

Materials:
Oil paint, Tempera

Unusual details:
The face is consisted of two different,
(yet similar) colors.

Henri Matisse, Blue Nude IV (1952), via Art Observed

Matisse's sons Jean and Pierre were drafted. In late October, Matissetraveled to Marseille. At the end of the year he moved into the HotelBeau-Rivage in Nice. On December 31 Matisse visited inCagnes-sur-Mer to show Renoir his paintings.

images about Henri Matisse on Pinterest Portrait Self Biography com

His avant-garde methods aroused considerable controversy, but - supported by the art-collector (1866-1939) as well as patrons among the Stein family, and the Russians Shchukin and Morosov - Matisse maintained his position as a prominent member of the movement and is now regarded as one of the most influential and persistently innovative .

Packet Henri Matisse Evergreen Art Discovery Day of the Artist

The composition of the work consists of a portrait of Madame Matisse in the foreground and a background divided into several distinct areas of color....

The Snail Henri Matisse Tate The Art Story

Picture contains subtle coloring.
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Portrait of Madame Matisse
(Green line)
created in 1905
commissioned:
Matisse created this piece, just to show the prior examples of fauvism.

Henri matisse the green line essay Pinterest

In his Blue Nudes, the poses of his models carry something familiar from Matisse’s previous portraits, reinvigorated by their pure focus on line and form. These actions are emphasized by the artist’s masterful color compositions, using vibrant tones to underscore the conflicts and complements of form. On one late work, Memory of Oceania, the artist fuses swooping forms with dense blocks of blue and green, leaving space for slight inflections of charcoal, a fluid piece that uses the rigidly geometric to its favor.

Henri Matisse, The Cut-Outs (Installation View), via Art Observed

This idea – that humor is found essentially in a rime of automatism covering human expression – generally holds true for the short humor of Robert Benchley, James Thurber, Garrison Keillor and Dave Barry, but Bergson’s corollary theory – that the comic is neither more nor less than a form of social censure and a means of affecting the behavior of others by causing humiliatio...

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