i Art or Vandalism is the question in question here on one side many people feel graffiti is art and also a form of self expression and on another.
Vandalism is "action involving deliberate destruction of or damage to public or private property". The term includes criminal damage such as graffiti and defacement.
Lauren Collins on Banksy, the invisible man of graffiti art whose anti-authoritarian whimsy has won him a colossal following.
Graffiti becomes more popular. One says it is a real art, others say it is vandalism. So what is it? Let's try to figure.
Graffiti is Vandalism, Not Art. vandalism to me ties in with the thought of graffiti Graffiti is the kind of art we encounter on the best essay.
Graffiti: Art or Vandalism? - Art: the ultimate form of self expression. But, what constitutes an art. Autobiography Essay, Personal Narrative] 1428 words.
Introduction Graffiti and vandalism are a major blight.
In the mid-1970s The State of New Jersey announced a "Safe and Clean Neighborhoods Program," designed to improve the quality of community life in twenty-eight cities.
A lady walks down the streets she goes to a train station, she waits a few minutes for the train. The train pulls up, before she boards it she notices a beautiful.
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… Mr. Ellsworth-Jones’s book is at its most fascinating in tracing Banksy’s evolution from outsider, spraying walls in Bristol like dozens of other young graffiti practitioners, to international artist with work that “commands hundreds of thousands of pounds in the auction houses of Britain and America.” He is adept at examining some of the existential dilemmas this success created for Banksy — dilemmas shared by many outsider and counterculture artists, who suddenly find their work embraced by the very mainstream they’d once scorned.
Although street art is illegal in most places around the world, many cities have begun to recognize the positive effects the artwork can have on their residents and city environments. As a result, many cities have supported street art by commissioning works of art for the walls of their buildings. If the cities do not commission the artwork, building owners often will. They hire artists to paint murals on the sides of their buildings to brighten the neighborhood around them. Two pictures of such murals can be seen below (Figures 7 and 8). The first image is from my hometown of Dayton, Ohio, and the second is from my current city of South Bend, Indiana. Cameron Mcauliffe argues that such creativity is important to the post-industrial economy (190). As city officials know, decorating the streets will attract tourists and improve the moods of both the producers and consumers who do business in these spaces.
He also looks at the eclectic new fans (including kids and street toughs) that Banksy’s art has attracted to museums and galleries, and the debates over whether wall art by Banksy and other graffiti artists should be left on the streets, where it runs the danger of being written over, defaced, scrubbed clean by city cleaning crews or filched by opportunists eager to make a fast buck. Some argue that such pieces should be liberated, so that they can be preserved and exhibited in museums and other places. Others argue that context is everything, that these works were made for specific sites and need to be seen in their original environment. If they vanish, so be it; ephemerality is part of what street art is. (And besides, photographs posted on the Web, which has hugely accelerated his fame, can always provide a pictorial record.)
The style satirized the political and social state of China and, since this was a new departure for Chinese artists, was well received by western art collectors.
Other activists include Miriam Schapiro (1923-2015), Nancy Spero (1926-2009), Eleanor Antin (b.1935), Joan Jonas (b.1936), (b.1939), Mary Kelly (b.1941), (b.1945), and the English artist Margaret Harrison (b.1940).
For the two most successful street artists to go mainstream, see: (1960-88), (1958-90) - who created the "Crack is Wack" mural in Harlem - and (1954-92), the AIDS activist and hugely talented street painter and collage artist.
Minimalist painters include Agnes Martin (b.1912), (1913-67), Ellsworth Kelly (b.1923), Kenneth Noland (b.1924), Robert Ryman (b.1930), (b.1931), Robert Mangold (b.1937), (b.1936) and Brice Marden (b.1938).
Associated with pop artists (b.1928) and Jasper Johns (b.1930), the Japanese artist On Kawara (1932-2014) noted for his "date paintings", Barbara Kruger (b.1945) famous for "I shop therefore I am", and (b.1955), whose word painting entitled (1988) sold in 2013 for $26.4 million.
In addition, there have been dozens of artistic splinter groups, as well as one or two anti-postmodernist schools whose members have endeavoured to produce the sort of art that Michelangelo or Picasso would have been proud of.
This new approach is exemplified by the conceptual artwork (a list of instructions) by Martin Creed, entitled "227: The Lights Going On and Off" (2001), which won the in 2001.
Pop Up Painting was the perfect team building activity. Drinks, music and food both aided and distracted the ‘artists’ from the masterpieces they were creating. Phyllissa and team were very helpful and great fun. A thoroughly enjoyable evening was had by all and we’re already discussing our next painting event! Have already recommended to anyone and everyone.
Emily Griffiths – Accenture UK
Sculptors, installationists and assemblage artists have made art out of industrial scrap iron, gas-masks, felt, human skulls, human blood, dead flies, neon-lighting, foam rubber, soup cans, concrete, rubber, old clothes, elephant dung and more.
Fortunately, your art gallery catalogue tells you that Andre took his radical decision to make art flat on the floor in 1965, when canoeing on a lake in New Hampshire, and that this majestic pile of bricks exemplifies his artistic creed that "form = structure = place." As it happens, the original was "destroyed" in 1966 and "remade" in 1969.