Dreams in the sense of "goals" or "aspirations" also constitute a major theme. Santiago's dream of the treasure provides him with a goal; Santiago resolves to find the treasure, and by his decision to pursue this goal he is able to realize his Personal Legend. Thus, Coelho plays with the dual (and of course linked) meanings of the word "dream", as both visions during slumber and far-reaching objectives. In this sense, the message of The Alchemist could be described as follows: everyone needs a dream. The vulnerable periods of Santiago's journey are when he has no clearly defined goal. This is true when he finishes working at the crystal shop, as well as when he contemplates staying at the oasis with Fatima. Both times he thinks about desisting, but winds up carrying on unswayed.
Selfishness reappears in the form of the Personal Legend. The Personal Legend is something which a person truly desires with all of his/her heart. The novel suggests that the only thing that is important in life is to pursue this dream at whatever cost. Often this means avoiding things which are not conducive to achieving this dream. In the case of Santiago, this means leaving his familial home. It also means that any love which he experiences must not get in the way of his Personal Legend.
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Between 11:30 and 12:00,I visit our textile mill, which is about an hour's drive from the city. I work there as the technical director, and my primary responsibilities include monitoring plant efficiency, product quality, maintenance, and my favorite -- working on customer response analysis, a recently devised and relatively unique strategy for quality assurance. The job is demanding and sometimes challenging. We are continuously on the look out for new products and means to becoming cost efficient. By 2:30 or so I leave the mill for our city office. I work with our executives in preparing and following up on various proposals, preparing quotations etc. I also attend meetings with equipment sellers. One of my routine jobs is to sit with my colleagues in the procurement department for testing and selection of raw materials, mainly cotton and dyestuffs. By 4:30,I usually begin work on my personal business, which I maintain through a separate desk in our head office. At this desk I maintain my trade intermediary business for readymade garment export and footwear. I spend about an hour here before I retire for the day.
offers all users free access to over 100 admissions essays accepted by the United States' top undergraduate, graduate, and professional programs. The following Sample Admissions Essays were accepted by Harvard.
That same vernacular is being censored some one hundred and twenty seven years later, by a publishing company named NewSouth Books, who has released a version of the novel that replaces the amply used word, 'nigger', with what they believe to be less offensive in the word, 'slave'....
It follows that your ability to write syntheses depends on your ability to infer relationships among sources - essays, articles, fiction, and also nonwritten sources, such as lectures, interviews, observations.
b. Show first steps: The best don’t wait for acceptance of their b-school application before getting on with their dreams. You raise you stock immeasurably if you can show you have already taken steps towards the goal you claim to aspire to. Have you done the certifications you need for your career move? Do you have a plan for attracting investors to the business you hope to set up? Convince the committee that you will make it happen no matter what – even if you don’t get into their school, or any school.
In a sense, the final realization of the book is that Santiago's soul is just a part of the Soul of the World, which is the same as God. This in turn translates in to a much more pragmatic ecumenicist theme in the book - that is to say, that throughout the narrative there is a minimization of the difference between Muslim and Christian, the two religious spheres in which the narrative takes place. The reader is led to understand that since God is one with all of creation, all religions are essentially saying the same thing. Thus, Santiago's initial thoughts about the strangeness of the "infidels," as he first refers to the residents of the city of Tangiers, are quite quickly swept away by his realization that the spiritual concerns of Muslims are very similar to his own. The shopkeeper's concerns about his dream of pilgrimage to Mecca can be identified with any dream that one is afraid of fulfilling.
One of the fundamental themes of The Alchemist is that our paths are pre-ordained or maktub, in the words of the shopkeeper. The goal of life is to live in harmony with what is ordained for one, or one's Personal Legend; happiness depends upon this harmony. Ostensibly, we all once knew, as children, what our Personal Legends were. The main problem is that as humans and adults, we strive to make things more complex than they really are. In the text of The Alchemist, this problem is mirrored by the experience Santiago has with alchemy. While traveling through the desert with the Englishman, Santiago reads several books about the secrets of alchemy. The books claim that the original secret of alchemy could be written in a single sentence, but that mankind had made its explanations of that secret so convoluted that they could not be understood by anyone. Santiago rejects this and contends that he can learn everything he needs to know about alchemy through his day-to-day life. This conviction, that one's fate, or Personal Legend, is apparent in any aspect of one's normal life forms one of the most important themes of The Alchemist. When Melchizedek says, "When you want something, all the universe is conspiring to help you achieve it," (22) he means that since it is fate that puts a desire in Santiago's heart, fate won't stop him from achieving it. The problem is focusing one's energy on determining what it is that one really wants. Santiago does this during the last leg of his journey with the Alchemist, when he learns from the desert to look inside himself and silence his petty fears. By silencing these fears, he is able to finally see that he is one with the world around him and that his Personal Legend is a harmonious part of that world. This is evinced in a magical fashion when Santiago is able to communicate with the elements, in the climactic scene in which he turns himself into the wind.
When the story of begins, the reader finds Santiago looking forward to a rendezvous with a merchant's daughter he met the previous year. As soon as he is convinced to go in search of his treasure, however, Santiago forgets all about the girl. Then he meets at the Al-Fayoum oasis, and thinks about giving up his quest to be with her. The difference between the two cases is two-fold.
Santiago dreams of a child showing him a treasure at the base of the Pyramids; when we first read of the dream, we are led to believe that Santiago has had it before. When he tells the gypsy of Tarifa and about this dream, they both implore him to follow it, because, they argue, dreams are the language in which the Universe speaks. At the end of the book, it is the dream of the robber–which was the exact inverse of Santiago's dream, showing the treasure at the abandoned church–that sends Santiago back to Spain and to the treasure. The theme of dreams is linked, then, with the theme of fate, since dreams are the way in which people come to know their destiny.