Friday, 22:35 on BBC One Jonathan Ross continues his current series. Guests include Academy Award-winning force of nature Whoopi Goldberg; Harry Potter star Jason Isaacs; and Priscilla, Queen of the Desert star, Jason Donovan. Plus Antony and the Johnsons perform their new single Kiss My Name live in the studio.
"The Summer Symphony tour in Europe and the United Kingdom has drawn to a close. Working with the orchestras in Europe has been an interesting adventure; each group seemed to have its own approach to the songs. The biggest cheer was always for the local musicians who were making most of the the music. Thank you to everyone who came to see us and to everyone in front of and behind the scenes who helped to make it happen.
Now ten years later, I have sung for millions of people in some of the most beautiful theaters in the world, from the Royal Opera House in London to a tiny shed full of Aboriginal women elders in the Western Australian desert. I have accomplished so many of my dreams. I have collaborated with musicians and artists whom I deeply respect. I have held space for feminism, eco-consciousness, and trans advocacy for 2 decades. I have been afforded a platform to participate in the cultural conversation.
So I have decided not to attend the Academy Awards this election year. I will not be lulled into submission with a few more well manufactured, feel-good ballads and a bit of good old fashioned T. and A. They are going to try to convince us that they have our best interests at heart by waving flags for identity politics and fake moral issues. But don't forget that many of these celebrities are the trophies of billionaire corporations whose only intention it is to manipulate you into giving them your consent and the last of your money. They have been paid to do a little tap dance to occupy you while Rome burns. These are the last days of a great American fake-out sponsored by Exxon Mobile, Walmart, Amazon, Google and Phillip Morris. America, a country that is no longer contained by physical borders, aspires only for more power and control. I want to maximize my usefulness and advocate for the preservation of biodiversity and the pursuit of human decency within my sphere of influence.
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Once I came back, there was only my mother who would still love me with her caring eyes, but my father and eldest brother hated me to the bone and said I had made them lose face. In the village, my oldest male cousin from my fatherâs side went to my mother and said I had made the entire family Fan lose face and that she should give me a good beating and drive me away.
Sikkema Jenkins & Co. is pleased to present The Cut, a solo exhibition of work by Antony on view from May 31st through July 12th, 2013. Antony has created a body of work including drawing, collage, and sculpture alongside his critically acclaimed musical career as both a singer and composer. Both his music and visual art are marked by intuitive and accumulative practices that reflect a shared visual and psychological vocabulary. The initial inspiration that provided the framework for the exhibition was a poem written by the artist entitled The Cut, which describes the source of creation as a slit in the sky. The marks that the artist makes on the surface of his artwork can at once be understood as scars as well as applications that have the ability to heal the surface of the paper, fabric, or canvas. A delicate line can be juxtaposed with a harsh application of paint or a torn edge. Many of the works are intimate in scale and ephemeral in their materiality, but they are monumental in the emotional depth that they convey. Like Joseph Beuys, Antony's work originates in personal experience yet it also addresses universal artistic or social ideas and poetically suggests the healing potential of art. For further information please see .
Lou was like a father to me. I have never felt so perceived and loved for who I actually am by a man than by Lou Reed. He fought tirelessly for me to have a place in the daylight culture. My career would never have taken off without Lou's tremendous influence. Those close to Lou knew him as a lion-hearted and intensely caring friend. When discussing death a couple of weeks ago, he told me that I was focussed on the wrong thing. His goal especially recently has been to exercise his mental discipline to stay in the present and not be held hostage by fear of an illusory future. He faced death with dignity and courage, and even then remained a teacher and mentor to me. i miss him with all my heart. It is hard for me to reconcile that such a giant could really be gone. Antony October 28th 2013
Things were not easy after coming to Beijing. It was mainly because I was lazy and stupid, and because I was not skillful with my hands and feet. What other people could do in half an hour, would take me three hours. My hands were too slow – slower than most people. I worked as a waitress at a restaurant and would drop the tray and break the plates. I just made enough money to keep myself from starving. I wasted two years in Beijing; I was the type who couldn’t see the flame of my dreams. Then, I rushed myself into marrying a man from the northeast of China.
Antony on MELTDOWN 2012 - "I dreamed of assembling a constellation of courageous artists, all of whom have used their platforms as cultural producers to challenge us," says Hegarty of his chosen line-up. "They have exhibited a ferocity in their pursuit of beauty, and, falling like a guillotine behind it, justice.
"Today I am among a group of artists from NYC (some of whom are performing at this Meltdown Festival) who reject patriarchy in its myriad virulent and apocalyptic manifestations, and who advocate for a fundamental shift towards the feminine in all our systems and structures of governance. We have named this approach Future Feminism."