Medea Text Response Essay Year VCE English Thinkswap halimg Essay Modern Technology Act Essay Example How To Write An Medea essay Does Medea the play celebrate the irrational
At the beginning of the play, Medea's in dire straights. For one, her husband, Jason, has married another woman, Glauke, daughter of Creon the King of Corinth. On top of that, Creon banishes Medea and her two sons from Corinth. Medea, however, is not the kind of woman to take such mistreatment lying down. She swears bloody revenge and swiftly sets about finding a way to kill them all.
First, she convinces Creon to let her stay one more day in Corinth. It goes against his better judgment, but he allows it out of pity for Medea's two sons. This gives Medea enough time to put her plot into motion. Next Medea has to secure a safe place to retreat to once she's committed the murders. By an incredibly lucky coincidence, Aegeus, King of Athens, happens by. Medea promises to cure his sterility if he swears to give her safe harbor. Of course, she neglects to mention she's about to kill a bunch of people.
Now that Medea has the time and a safe place to retreat to, she can really get to work. She snookers Jason into believing that she's now cool with his new marriage. Medea begs her husband to ask Glauke if their two sons can stay in Corinth. Jason is moved and agrees. Medea gives Jason a gossamer gown and a golden crown to sweeten the deal for Glauke. Jason and the children trot off to the palace with hope in their hearts. Their hope is misplaced, however, for once again Medea neglects to mention a vital piece of information: the gifts are cursed.
A Messenger returns and tells Medea all about the horror she has wreaked. When the Princess put on the gown and crown, she received a rather nasty surprise. Her entire body caught fire and the flesh melted from her bones. When Creon saw his daughter's flaming corpse, he was so distraught that he threw his body onto hers and died as well. Medea thinks this is great. Now she only has one thing left to do, in order to leave Jason totally devastated – kill their sons.
The murder of her children isn't easy for Medea. She struggles with her motherly instincts, but in the end her revenge is more important. Medea drags the boys inside the house and kills them with a sword. Jason arrives too late to save his sons. Just as he's banging on the door to stop his wife, Medea erupts into the sky in a chariot drawn by dragons. Jason curses his wife, and she curses him back. He begs to have the children's bodies so that he can bury them. She refuses him even this, and takes their corpses away with her as she flies away triumphant.
Medea is a drama/tragedy play about one unhappiness love written by Euripides who lived in fifth century BC. As we know, most myths showing us aspects of human nature. The entire play takes place on the island of Corinth in present day Greece.
Another area of Greek achievement is theater. Plays began to become important in ancient Greece and two types of plays which were written and performed were comedies and tragedies. A comedy in ancient Greece was usually a play that marked or made fun of a certain topic, person, or group of people. One famous comedy writer was Aristophanes. He wrote the plays The Birds and Lysistrata. An tragedy in ancient Greece usually dealt with a moral or social issue, human suffering, and almost always ended in disaster. Three famous Greek tragedy writers are Aeschylus, Euripides, and Sophocles. Aeschylus wrote the play The Oresteia, Euripides wrote the play Medea, and Sophocles wrote the plays Oedipus the King and Antigone. One of the most famous out of all of these plays was Antigone. It was written in about 441 B.C. and was about a girl named Antigone who defies the king's orders and buries her brother, who was killed while leading a rebellion. In this play, many Greek values were expressed which is also the purpose of most western civilization plays today (to express certain values). Also, the ideas of comedies and tragedies are used in western civilization except expanded and twisted around a little. A lot of famous play writers today are also inspired by the works of play writers from ancient Greece.
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Jay - really well done. I'm so pleased you have sent a draft. It all looks really good, there are just a few things to consider:
-make sure in the SAC, when you talk about the title of the play make sure you underline Medea (but not if you're discussing her as a character)
-don't say 'you' unless it's in a quote. You can however say we/us/our
-it is a good idea to refer explicitly to the passages at some points e.g. In Passage 3, we see that Medea appears in a dragon-drawn chariot, which shows... (just so I can clearly see that you have used evidence from the passages as well as the rest of the play)
-2nd body paragraph needs more evidence (quotes)
-perhaps consider the idea that yes Eurpides seems to justify Medea's vengeful actions but only up until the point where she kills her children. Does this idea impact your contention at all? Just something for you to think about.
However having said that, you have some excellent ideas to support your contention which is really clear and consistent. Lots of reference to Euripides and explanation of how evidence from the play justifies your contention about Euripides' views and values. Great work Jay!
Medea is probably one of the most capable (and crafty) women in all of Greek mythology. If it weren't for this clever sorceress, Jason would never have been able to complete the three tasks that King Aeëtes sets for him and the hero never would have laid his hands on the Golden Fleece. Medea really gives up a lot for love of Jason, betraying her family and leaving behind the only home she's ever known. Medea reminds us a bit of Ariadne, the Cretan Princess who made it possible for Theseus to complete his quest to kill the Minotaur. Just like Medea, Ariadne gives up everything for a dashing young Greek hero. Also like Ariadne, Medea lives to totally regret it. (For more on Ariadne, click .)
Heaven has no rage, like love to hatred turned, nor hell a fury like a woman scorned. Through his play Medea, Euripides teaches us about the inextricable connection between the seemingly opposite emotions of love and hate, and endorses revenge when one has been betrayed. Anyone betrayed can have their emotions turn from love to hate in a matter of seconds, and Jason's choice to marry the princess of Corinth forced Medea to lament and hate from the outside. Love and hate are very close, they are both powerful but in betrayal hate can often be stronger, and can lead to harsh actions. Revenge is justified when someone has been hurt in love, Euripides shows this through the use of deus ex machina. Thus Eurpides supports revenge through betrayal.
BP1: betrayal - love turning to hate - want revenge
In the play Medea the themes of betrayal and revenge play a big role. We experience Medea going from the emotions of love to hate in no time at all, all because she has been betrayed by the one that she loves. Euripides shows us how one action can turn love into hate, and because Jason's "wickedness" Medea began to hate her children. Both love and hate are "deep in passion and unrelenting" just like Medea's anger, and with that Euripides implies their tangled connection. Without one the other cannot be, as is the case with betrayal and revenge. Euripides explores the need of revenge humans have after receiving a devastating blow to the heart, Medea could have just moved onto another land away from Jason with her son's, yet she choose to stay and hurt Jason the way she had been hurt. Euripides indicates to us that when two people are in love they feel similar things, so naturally we seek to have the other person feel the same kind of hurt that we felt when they betrayed us. Through the actions of the characters Medea and Jason, Euripides shows us the way betrayal leads to revenge and through betrayal love can turn to hate easily.
BP2: how hate can be stronger than love, leads to actions, Medea's hate wins
Sometimes some emotions are stronger than others. Although Medea's love for Jason was strong, her hate was stronger. Medea started off wishing the best for Jason, but after his decision to "ensure [her] future" and to give his sons "brothers of royal blood", Medea began to loathe Jason's "prosperous future". Euripides indicates the way a bitter emotion can be a lot stronger than one that is of a peaceful nature. Medea's "ungoverned rage" is powered by her hate for Jason's happiness, which drives her to hurt the ones he loves. According to the men of the patriarchal society women acted out of "mere sexual jealousy", Euripides implies this through Jason's words. Although Medea began to love for Jason wasn't really her own, it was still true, it still affected the way she felt and behaved. The extremity of human emotions drives us to do mad things, Eurpides demonstrates to us through Medea.
BP3: the fact that Medea wins, divine intervention, shows Medea's revenge is justified - deus ex machina -
All is fair in love and war, the famous saying wholly justifies Medea's actions to the royal family and her children. Through the use of deus ex machina, Euripides told the audience that just because she was betrayed Medea's actions were perfectly justified. Love is a very strong emotion, it causes humans to do mad things, which is why Medea was allowed to get away with the murder of four people. According to Euripides acting out of hate, is acting out of love that was once present. Both emotions come from deep within the heart. Medea felt all was right because she had "reached [Jason's] heart". Divine intervention from the gods represented the fact that Medea's actions did not need to be explained to be justified, acting out of love or hate automatically becomes excusable. Euripides valued emotions that came from the heart, and believed that any action that was caused because of that emotion was fully justified.
(I have not written my conclusion, I will when my ideas are clarified)