A shrill whistle sounds and the voice of coach Chuck booms through out the room, breaking the peace that was comforting the pain in my shoulder and bringing me back to reality....
Avoid summary in your descriptions. Offer concrete information, engage us with moment-to-moment details, tell us about each detail, and how they affect the senses.
To write a descriptive essay, you’ll need to describe a person, object, or event so vividly that the reader feels like he/she could reach out and touch it.
It may be hard to write a type of essay for the first time. If this is your first time to write a personal reflective essay, you can refer to the reflection essay example below.
The significance of the title immediately creates a sense of mystery, as the reader does not know why the adjective ‘red’ is used to describe the room and this colour is usually associated with danger, blood, hell and fear, suggesting that Wells is preparing the reader for anguish....
The third paragraph of the body should include the weakest argument, weakest example, weakest illustration, or an obvious follow up to the second paragraph in the body. The first sentence of this paragraph should contain the reverse hook, which ties in with the transitional hook at the end of the second paragraph. The topic for this paragraph should be in the first or second sentence. This topic should relate to the thesis statement in the introductory paragraph. The last sentence in this paragraph should include a transitional concluding hook that signals the reader that this is the final major point being made in this essay. This hook also leads into the concluding paragraph.
My room has many characteristics of which I share; it has many pictures that I have taken, about my friends or other interesting things that I have found.
This is a very short sample of a reflection essay and you might have to write something longer. Nonetheless, this reflection essay example shows what you have to include in your essay namely introduction with thesis statement, body that can be a description or narration, and a conclusion with your realization, insight or judgment.
Writing is an account of how people think. As a medium it's intrinsically empathic; it communicates patently human sensibilities. In order for a story to work, it needs to feel like real life, even when it’s actually something quite different. The more detailed and rich your descriptions, the better your writing will approximate the human experience, thereby establishing a connection with fellow minds.
The best descriptions are the ones that are completely original, easily understood and often reminisced. They're digestible yet impressionable, they say something profound but they’re palatable enough to be comprehended by anyone. It’s a difficult technique to master, an art form in itself, really.
Consider this a primer for writing good descriptions (here’s your first lesson: “good” isn’t a suitable or sufficient way to describe anything). To make things interesting — and very embarrassing for me — I’ve dug up several of my own stories from years past to illustrate some truly awful blunders in description, each of which poisoned workshops at varying times during the earlier half of the last decade. Be warned: some major toadstools lie ahead.
In order to maximize that empathic response, try to appeal to all the senses as often as you can. Don’t just tell us what something looks like, tell us how it sounds, how it tastes. show words containing sensory descriptions are so powerful they even stimulate areas of the brain that aren't used to process language. When we read a detailed account of how something smells, for example, our sensory cortex gets a signal. In other words, the brain often treats real experiences and reading about them as the same thing. If you really want to place your reader in the story, your writing should take advantage of our collective faulty wiring whenever you can.
While the narrator is on his way to the sitting room, we can see that more tension is being built at this stage, due to the explicit description of the surroundings, this increases the amount of tension b...
It’s bad timing given my last example, but try to cut down on your adjectives and adverbs. Modifiers don’t specify words as much as you might think. More often than not, they actually abstract a thought, so sentences that rely on modifiers for descriptive strength are building on faulty foundations. You’ll be more successful if you instead find the verb that perfectly portrays the image you’re envisioning. When you edit your work, spend considerable time scrutinizing your sentences to make sure the action maximizes full descriptive potential.