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Pitting nature against civilization, Emily Brontë promotes the Romantic idea that the sublime—the awe-inspiring, almost frightening, beauty of nature—is superior to man-made culture. She makes this point by correlating many of the characters with one side or the other and then squaring them off against each other. For instance, , whose origins are unknown and who roams the moors, is definitely on the nature side, while his rival, the studious , is…
Nearly all of the action in results from one or another character's desire for revenge. The result are cycles of revenge that seem to endlessly repeat. takes revenge on Heathcliff for taking his place at Wuthering Heights by denying him an education, and in the process separates and . Heathcliff then takes revenge upon Hindley by, first, dispossessing Hindley of Wuthering Heights and by denying an education to …
In order to understand the conflict between nature and civilization in Wuthering Heights, we must first analyze the main characters, representing in their own way the nature and the civilized world.
The antagonic play between nature and culture in Bronte’s vision were of great impact at the time and I could say that this is a reason why Wuthering Heights is a literary masterpiece.
The Romantic elements come together and offer us beautiful and intense images.
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Eagleton acknowledges that ultimately the values ofThrushcross Grange prevail, but that Brontë's sympathies lie withthe more democratic, cozy Wuthering Heights. The capitalist victoryover the yeomanry is symbolized by the displacement of Joseph's belovedcurrant bushes for Catherine's flowers, which are in Marxist terms"surplus value." With Heathcliff's death a richer life than that ofThrushcross Grange also dies; it may be a regrettable death–but it is anecessary death because the future requires a fusion of gentry andcapitalist middle class, not continued conflict.
Written when gender roles were far more rigid and defined than they are now, examines stereotypes of masculinity and femininity. Emily Brontë constantly contrasts masculinity and femininity, but not all of the comparisons are simple; sometimes boys act like girls and girls act like boys. and , for instance, are men, but Brontë frequently describes them as having the looks and attributes of women. Likewise, has many…
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Charlotte Brontë, in her preface to the 1850 edition of Wuthering Heights, refers to Edgar as "an example of constancy and tenderness," and goes on to suggest that her sister Emily was using Edgar to point out that such characteristics constitute true virtues in all human beings, and not just in women, as society tended to believe.
A discussion of whether or not a man was really a gentleman would consider such questions as how much land he owned, how many tenants and servants he had, how he spoke, whether he kept horses and a carriage, and whether his money came from land or "trade"—gentlemen scorned banking and commercial activities.
Considerations of class status often crucially inform the characters' motivations in Wuthering Heights.
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