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Read more from Atul Gawande on The New Yorker

A future classic about the modern experience of death and dying by one of our most accomplished non-fiction writers. Over the course of three books and his articles in magazine, Atul Gawande has established himself as one of the most thought-provoking, insightful and skillful non-fiction writers to have explored the

Atul Gawandeis a surgical resident at a hospital in Boston and a staff writer on medicine and science for The New Yorker. A graduate of Harvard Medical School and the Harvard School of Public Health, he has had his writing selected to appear in The Best American Essays 2002. Gawande lives with his wife and three children in Newton, Massachusetts.

Atul Gawande, a surgeon and public-health researcher, became a New Yorker staff writer in 1998.

New yorker essay by gawande - Wedding photography

Many of these essays have been culled from the New Yorker where Gawande is staff writer

In this new collection of essays, Dr. Atul Gawande questions the responsibilities of the doctor in modern medicine. "The Score" details the achievements of anesthesiologist Virginia Apgar, whose ingenuity and vigilance in a male-dominated field revolutionized childbirth practices in the 1950s. In "The Doctors of the Death Chamber," Gawande explores the ethical ramifications of physicians who attend to death row prisoners during execution. "The Bell Curve" describes the surprising success of the grading system used to rank cystic fibrosis clinics and proposes a similar practice for all institutions. Interweaving clinical case studies, statistics, and personal anecdotes, Gawande makes a convincing case for the sometimes radical and sometimes mundane, but always life-saving, medical improvements he advocates.

A surgeon at the Brigham and Women’s Hospital in Boston and an assistant professor at the Harvard School of Public Health, Dr. Atul Gawande succeeds in putting a human face on controversial topics like malpractice and global disparities in medical care, while taking an unflinching look at his own failings as a doctor. Critics appreciated his candor, his sly sense of humor, and his skill in examining difficult issues from many perspectives. He conveys his message—that doctors are only human and therefore must always be diligent and resourceful in fulfilling their duties—in clear, confident prose. Most critics’ only complaint was that half of the essays are reprints of earlier articles. Gawande’s arguments, by turns inspiring and unsettling, may cause you to see your own doctor in a whole new light.

Atul Gawande: By the Book - The New York Times

(2002): With wit and sensitivity, Dr. Atul Gawande explores the fallibility of doctors and the uncertainties of modern medicine in this first collection of essays.

Atul Gawande | Banyen Books & Sound

Music in the Operating Room The New York Times Ipgproje com Complications A Surgeon s Notes on an Imperfect Science Atul Gawande Books Amazon ca

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Atul gawande new yorker essays ipgproje com Atul Gawande This essay may seem like an unusual choice for a Reading It s written by an American for an American audience and considers a very American topic American

Atul guwande essay new yorker - Nicole & Abhay's …

Atul Gawande, MD, MPH, is a surgeon, writer, and public health researcher. He practices general and endocrine surgery at Brigham and Women's Hospital. He is Professor in the Department of Health Policy and Management at the Harvard T.H. Chan School of Public Health and the Samuel O. Thier Professor of Surgery at Harvard Medical School. He is also Executive Director of Ariadne Labs, a joint center for health systems innovation, and Chairman of Lifebox, a nonprofit organization making surgery safer globally.

Atul has been a staff writer for The New Yorker magazine since 1998 and has written four New York Times bestsellers: , , , and most recently, . He is the winner of two National Magazine Awards, Academy Health's Impact Award for highest research impact on healthcare, a MacArthur Fellowship, and the Lewis Thomas Award for writing about science.

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