1987: Adolphe Appia. Theatre Artist, Cambridge University Press.
1989: Adolphe Appia. Essays. Scenarios and Designs, U.M.I. Research Press.
1992: The Roman Theatre and its Audience, Harvard University Press.
1993: Adolphe Appia: Texts on Theatre, Routledge Press.
1994: Adolphe Appia. Artist and Visionary of the Modern Theatre, Harwood Press.
1999: The Spectacle Entertainments of Early Imperial Rome, Yale University Press.
2006: Adolphe Appia. Kunstler und Visionar des Modernen Theaters, Alexander Verlag.
In Press: Living Theatre: Roman Theatricalism in the Domestic Sphere, Co-author Hugh Denard, Yale University Press.
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With the dedicated Appia scholar Walther Volbach, Beacham himself was at last able to edit and publish Adolphe Appia: Essays, Scenarios, and Designs in 1989.
Where his friend Edward Gordon Craig was a tireless self-promoter, whose work remained influential despite being little utilized by practitioners in his lifetime, Appia tended to withdraw from contact with the wider world, and indeed chose to spend the last years of his life in the seclusion of a sanatorium.
ISSN 0266-464X Full text not available from this repository. The long neglect of the work and influence of the Swiss designer Adolphe Appia has begun to be remedied in recent decades; but as Richard Beacham points out in the following article, Appia's own character was in part responsible for his ‘anonymity’.
A collection of writings on theatre by scene designer Adolphe Appia; covers his ideas about the significance of art, the relationship between theatre and music, the nature of acting, and his approaches to design. The introduction and commentary provide a good overview of Appia's career in the theatre and his significance as a theatre artist. The book also includes some reproductions of major scene designs.